But I digress! We’re here to talk about the new show on
A&E, Bates Motel. It’s a modern
day interpretation of what the set up to Psycho
would be. It stars Freddie Highmore as Norman, and Vera Farmiga as Norma (the
mom).
We meet Norman as he is wandering around his house, that’s
full of creepy portraits on the wall. He focuses on a picture of his parents
wedding and for some reason freaks out. He calls out for his mom and is running
around only to find his Dad dead on the floor of the garage. He high-tails it
back in the house and finds Norma in the bathroom, pounding on the door. When
she finally opens the door he tells her something’s wrong with Dad and runs off
back to the body.
My senses are going off that tell me that Norma is not
innocent here. Look at the smile on her face. Maybe I’ve been watching too much
of The Following where no one is to
be trusted, but I feel like this will be the same type of show. Everything she
says is up for debate. She takes her time tying her robe and slowly saunters
down the hall. Clearly in no hurry. She puts on a sad face for Norman when she
finally gets to the body and says, “I’m so sorry”. Is she sorry that Dad is
dead? Or is she saying sorry because she killed him?
Flash to a beautiful coastal area. Norma and Norman (that’s
already going to be super annoying) have witty banter in the car about how this
new step is great and wonderful and not at all something that Norman gets a say
in. They pull up to the house.
That looks exactly like the set used for the original movie.
For filming locations, Canada is listed. It’s entirely possible that they built
a replica, since I know that the original set is in LA. Either way, bravo. It
would be a little sac religious to film in the original house, I think. But I’m
a purist about things like this. Norman (I think I’ll start calling Norma,
Mother, as he does) isn’t really impressed. The house comes fully furnished, as
does the motel, to fully give the effect of vintage. They go upstairs and
Norman finds a door that goes up an extra level and asks if it’s his room. She
says, “Noooo, your room is down here, closer to me!” It’s already creepy. They
talk about starting over; having a new life. Norman isn’t convinced.
We see Norman sitting at some sort of bus stop, listening to
classical music, when a troop of girls walk to him and start attacking him with
questions. Another girls shows up in a car and they all pile in, and bring him
with. One girl, Bradley, sits on his lap and steals his phone to put her
contact info into. Creepy alarm going off. That doesn’t happen. Not in real
life. He tells the girls he has an older brother but he doesn’t live with them.
Mother is preparing food and her phone rings and it’s Dylan
(the other son). He is pissed that she didn’t tell him he moved. He tells her
that he needs money because his job fell apart. He yells out for Norma. She
hangs up. There’s issues here we don’t know about it.
Norman meets with his advisor at school. His test scores are
off the charts, but his grades aren’t very good due to his moving around. She
suggests that maybe he try to put down some roots; play some sports. She
suggests track since the try outs are today. He seems to like the idea.
Norman comes home to find Mother sitting at the table,
waiting. She tells him that she has indeed been waiting. He tells her he stayed
late to try out for the track team. She’s not impressed. He hands her a consent
form she needs to sign in order for him to run. She sees that practice would be
almost every day after school, plus meets on Saturdays. She tells him he’s
putting her in a tough position; how is she supposed to run the motel without
him? She uses skills of amazing manipulation. When he tells her he doesn’t have
to run, she says, “No, it’s ok. I’ll just do everything on my own…like I always
do.” Ugh! My own mom uses that kind of line. It’s so infuriating. Then again…I’ve
used it on my boyfriend a time or two…uh oh. Dangerous territory. She then says
she’s not even hungry, signs the form, and leaves him to eat alone.
Norman is outside beating a carpet with a broom (do people
really do that?) and a man walks up to him and calls him by name. Asks how he
likes the house he just moved into, says he knows about his mom, Norma. He then
goes off on a tirade about how the house was built by his great-great
grandfather built the house and his grandfather built the motel. He’s very
upset about losing his house and property. Anyone would be. He gets a little
creepy. “I know everything about this place, every nook and cranny, every dirty
secret.” He gets all threatening. Mother tells him to leave or she’ll call the
police and then maybe shoot him. He tells her to go ahead and call the cops,
because he fishes with half of them. I don’t really know where this setting is
supposed be. East coast, maybe?
Norman and Mother are enjoying their evening when the
doorbell rings.
The coven has arrived! They ask if Norman can come to the library
to study. Mother tells the girls that he’s too busy with unpacking and that he
can’t go, despite his attempts to break free. She tells him he can go another
time, when they’ve settled in. He lashes out because he wanted to make friends.
Mother tells him he doesn’t know them, that he needs to be careful. He runs up
to his room and she tells him to just stay there for the rest of the night.
Norman quickly remembers that Bradley gave her his number, so he texts her to
meet him at the bus stop. He climbs out his window and is free-along with his
textbooks! The girls laugh at the fact that he actually thought they were going
to study.
I didn’t go to many parties in high school, so maybe I’m
just naïve, but there’s practically a light show going on, a room with a black
light and bikini wars, a table full of weed, and a table full of coke. Am I
ridiculous to think that this a little farfetched? If it’s not, I may not have
kids. That’s insane.
Norman finds himself only comfortable in the kitchen, alone,
with a beer. For shame, Norman. I don’t think Mother would like that. He has the
googoo eyes for Bradley and she gives him some gushy eyes back. She comes to
talk to him and he says, “There’s a lot to look at” and she asks if he just
gave her a line. He says no. Then she says that he’s “different”. Yeah, in a murderey
sort of way! They have some flirting and leaning in and then some guy shows up
and I get the sense that he’s Bradley’s boyfriend. Especially since he calls
her babe. They walk off together to meet some guy and the dude is not happy
about Norman.
Back at the house, Mother is doing dishes when there’s a
noise at the back door. I’m getting a little nervous…BOOM! Damn you mood music!
Jump scenes get me EVERY time. This is gonna be a long season…The threatener is
back.
Mother grabs a knife and screams out for Norman (but we all
know he’s not there). He kicks her in the gut and then pulls out an exacto
knife. She tries to grab it, for some reason and he pulls it out of her hand,
cutting her. He puts a piece of tape over her mouth and then bends her over the
table and handcuffs her to it. “This house is mine, and everything IN this
house is mine.” He then rips her underwear off and proceeds to rape her.
It’s slightly disturbing and uncomfortable (as most rape
scenes are). I’m a little shocked at what A&E is getting away with. This is
the show I used to watch British murder mystery shows on. Norman shows up
mid-thrust and hits him over the head with an iron. Norman goes to see if he
has a key for the cuffs, and they uncuff Mother and cuff rapists hands
together. He starts to stir. She grabs the knife again and he laughs at her and
says, “You liked it.”
She stabs him She stabs him 8 times (yes I counted) before
Norman comes back into the room after finding the first aid kit. He goes to
call the police and she stops him. “Who’s going to come to the rape/murder
motel?” She demands to know where he was because he would’ve come down to help
her otherwise. He tells her she went to a party and he diverts her anger by
saying that there’s a dead body on the floor with a lake of blood. Then plan is
to soak up the blood with bed linens from the motel and then they’ll wrap up
the body in a comforter and store him in a tub in one of the rooms until they
figure out a better plan tomorrow.
They stumble along and get him in the tub. Now there’s blood
on the carpet. They figure they’ll have to pull up the carpet in rooms 4-7
since the carpet is all the same through those ones. Plus if someone sees them,
they’ll just say they’re renovating. “How do we pull up carpet?” Oh Norman. It’s
kind of self explanatory. You cut, and you pull.
As the carpet
pulling is going along, a light shows up on the windows. Cops. They start to
panic. Mother calms herself down, and walks out to greet them.
It’s that guy from Suddenly
Susan! The photographer. She tries a joke and says she was going to tell
them they weren’t open for business yet and that they moved in a few days ago.
The cops say they didn’t know anyone had moved in. The cops mention that it’s a
little unusual that their names are Norma and Norman. They say it’s a little
too late for her to be having her son up, when he has school the next day. They
ask about her hand and she says she just nicked it when she was cutting the
carpet. They ask to take a look inside the rooms. They walk in and find Norman
(who’s in the room with the body). He asks to use the bathroom, and Mother tells
him the toilets aren’t flushing. He says it was a problem he had told the
previous owner about, that you just have to jiggle it, but he’ll take a look at
it.
The other cop makes small talk with them about the weather.
I think he’s the dumb nice cop, while the other one is the hard ass. He jiggles
and flushes and comes out. Then they get a call on their radio and they leave. That
was about as close as it can get, I think.
The next day at school, Norman looks like hell. He is pale,
and sweaty and he looks down at his shoe and there’s a blood stain. He runs and
pukes in a garbage can. Then a girl with an oxygen tank walks up next to him. She
tells him to get it all out, don’t worry about being embarrassed. She hands him
a mint and tells her that she has cystic fibrosis so she’s no stranger to being
sick. She’s pretty cute. She asks if he has a chornic illness. Her name is
Emma. I think Norman is gonna go after Bradley while Emma goes after Bradley.
She checks to make sure he’s really ok and then walks away, tank in tow.
Norma is walking in town and sees a sign posted in the
window that advertises a public forum. There’s a new highway being built on the
other side of town. This would be debilitating for the motel. No one would know
the motel was even there if the highway gets built.
Mother and son put the body in the trunk and then in a row
boat. He’s got at least one anchor tied around his body. “I suck” is her
opening line in the boat. She tells Norman about the highway being built and
that she feels foolish for buying it and that people suck. Everyone sucks,
except Norman. “You’re too good for me. I’m the worst mother in the world.”
These writers are pretty amazing. Norman tells her that she’s everything to
him. “I don’t ever want to live in a world without you.” You won’t, Norman.
Trust me. I’ve seen how this ends. He gives her this whole dialogue and she
realizes it’s from Jane Eyre. I
wouldn’t know. But they have some more loving words for each other, and then
they dump the body. I realized she stabbed him 8 times, but based on all the
murder mystery TV shows I’ve watched over the years, isn’t it sort of common
knowledge that when the body starts to decompose, gases expel, which make the
body float. Wouldn’t you stab the body as many time as you could to let the air
have a chance to get out? Is this becoming a how-to-murder blog…I better stop
now.
The new sign is going up in front of the motel. Norman is in
his room looking at some sort of journal that he grabbed off of the rapist.
It looks like he was a bit of a sick-o even before he raped
Mother. Norman seems confused, and yet can’t look away. Mother is very excited
to show him the new sign. Its blue, his favorite color.
She tells him that they’re not going to build the bypass,
but that she’ll think of something. I have no doubt. Bodies will drop. Freddie
is creepy when he calls her Mother. We then get a cut scene to a woman, chained
to the floor. With all kinds of needle marks on her arms. Someone inserts another
needle into her arm and scene. She’s the girl in the sketch book. So if rapist
is dead, who’s injecting this woman?
It’s going to be an interesting show for sure. Vera and
Freddie turn in amazing performances so far. The pilot is always the hardest.
You have to create a whole world based on no previous information. I’ll be
staying with this show to see how it goes. It’s hard to see Freddie Highmore as
anything but the unbelievably adorable Peter in Finding Neverland. Seriously. If you haven’t seen it. Watch it. He’s
captivating.
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